Fernandes Guitars - 2009 SHIN Series

SHIN was born in 1965 in Kanazawa, Ishikawa Prefecture, Japan. In 1990, SHIN followed his dreams as an aspiring musician to study to Los Angeles. During his brief stay there, he was exposed to various forms of Airbrushing street performances, which changed his outlook on art.

Airbrushing is an art form that requires a real eye and a keen sense to create something special. Unlike painting by a normal brush, when creating an airbrushed picture, you have to have distance from the original picture. The main characteristics of airbrushed work are great color graduation and its expression.

By many artists, airbrushing is better known as painting by a machine rather than by hand. Hand painting is a lot more of a sensitive art form than airbrushing, which traditionally uses molds. Instead, SHIN created a new technique by capturing the strokes of a paint brush in traditional paintings. This freehand technique was what amazed people about SHIN’s work.

After returning to Japan, he educated himself and started producing Airbrushing work himself, using the same techniques used in other industries such as Automobiles, Bicycles, Leather Apparel, and Guitars. However, he began questioning the airbrushing technique in Japan, so he shifted his outlook towards the international market.

After some time, SHIN picked Erotic Art to be his specialty, always wanting realism and seeking evaluation of his brush techniques by other artists.
This is when he established a relationship with Mr. Sorayama, who is the master of Erotic Art, and introduced SHIN into the world of Erotic Art. Through his mentorship, SHIN’s work began to be recognized by people around the world.

In December 2001 and February 2002, SHIN had his first own exhibitions at Echo Gallary in Chicago. In April 2002 “The Art of SHIN” was published by MR Publishing. Since then, original pictures have been displayed at several galleries. SHIN’s original works were also displayed at SEMA Show in Las Vegas, three series from 2005.

In 2005 SHIN released “SHIN Real Airbrush Technique VL 123” and he has also worked as instructor of Iwata Certified Airbrush.

In 2005, SHIN began collaborating with Fernandes Guitar Co. to create his DRAGON Guitar model. Because SHIN’s heart was originally in music, he felt that Guitar Art is another one of his great strengths along with airbrushing. He has been influenced by a variety of artwork that many popular guitarists over the years have used.

He has designed and produced guitar art for other artists, which inspired him towards creating the art of the “DRAGON,” which was used for automotive companies such as Lamborghini and Ferrari. He has recently expanded his brush work into other areas such as Nail Art and Body Art, and his work is well recognized at historical temples, for expressing not only tradition, but brilliance and solidarity.

Through SHIN’s work, he strives to bring out the unexpected and an element of surprise out of people. This is what he strives for out of his work. We look forward to seeing what he creates in the future.

Fernandes Guitar 2008 Catalog - Company Bio

I revamped the Fernandes Guitars USA's company bio below. This is also available on the company website at http://www.fernandesguitars.com/.

For over four decades, Fernandes Guitars has dedicated itself to building quality guitars and guitar accessories. Throughout the company's history, they have sold a quality line of products, making them the largest guitar manufacturer in Japan.

Fernandes Guitars began in 1969 in Japan, originally building Flamenco Guitars. As the company flourished over the years, the company expanded its production line to include an extensive line of acoustic and electric guitars, bass guitars, amplifiers and accessories.

During the 1970s, the company established its name through building guitars that challenged other well reputable guitar manufacturers from the United States and Europe. Artists such as Steve Jones (Sex Pistols), Robert Fripp (King Crimson) and Steve Hackett (Genesis) are some of the musicians that have played the early models.

In 1992, following the company's reputation and history of success throughout Asia, Fernandes USA opened its doors in Los Angeles, California. Sticking to its reputation of building quality products, it quickly established a presence within the American guitar market by offering quality instruments at affordable prices.

In 1996, the Fernandes USA Custom Shop made bold moves by expanding its scope by advancing development within its guitar craftsmanship. Through models like the Ravelle and Nomad, which introduced the Sustainer System technology, our Research and Development Department sought out how guitar players of the future would play. Catering to everyone from the first time buyer to the seasoned pro, Fernandes offers many options to meet their needs. An invaluable understanding of the player fuels our strong committment to the consumer and the quality they demand. This is the approach that helps establish Fernandes as the leading guitar manufacturer in Japan and to become a competitive manufacturer in the American market.

The company has drawn strong acclaim for building qulaity bass guitars, as testified by probably rock's greatest bassist, Robert Trujillo. One of its most popular models is the Tremor Deluxe, which is played by Tony Campos (Static X/Asesino). Sticking to the company's trademark look, this model has the feel of models of past models, but includes many of the modern specs that would attract today's top players. Using the elements of traditional style with contemporary techniques, Fernandes continues to provide a unique voice for today's musician, pushing the limits of guitar manufacturing with innovative body shapes and hardware configurations. Guitar players demand a vintage feel with a modernized look.

Fernandes supplies the best of both worlds without any compromise. Fernandes is the key to defining your sound and taking it to the next level.

Levon Sultanian/ANJ Press Release

For Immediate Release:
Former Onesidezero Guitarist Records With Russian Metallers ANJ, Announces Upcoming US Shows.

Former Onesidezero/Abloom guitarist Levon Sultanian has been collaborating with Russian metallers ANJ on new material for a full length recording. He has been writing and recording new songs with the Russian metallers, who they are currently seeking an international recording deal. Their forthcoming release will be their first recordings available outside of their native Russia.

"I just want to say thank you to all the fans that have been sending emails and showing concern to my parting ways with my previous band. I've decided to move on and have been busy working on a few new projects which I'm very excited about. One of which is still to remain a secret. As for the others, I've been fortunate to be working with such a great musician and songwriter in the studio and now live, Anatoly aka ANJ. America welcomes ANJ. I'm looking forward to the new future in metal music and just music in itself! Cheerz to all!”

Sultanian co-wrote and recorded the song ‘Gorbachev’ in Los Angeles with producer John Travis (Static X, Kid Rock). Stone Sour drummer Roy Mayorga also played on that track. The song is available to stream on their Myspace page at www.myspace.com/anjkill or their official website at http://www.anj.su/

ANJ was formed in Moscow, Russian Federation in 2003 by vocalist and guitarist Anatoli Zhuravlev. The band has previously released two full length recordings, Under An Intent Target and 100 Miles Straight Ahead in their native Russia. They have extensively toured across Europe, appearing at various festivals such as Metalmania 2005, Finnish Metal Expo 2006, and the Soul Ecology Festival in Moscow, Russia in 2005.

ANJ will be playing their first upcoming US shows with Sultanian on guitar. Filling in on drums for these dates is Kenneth Schalk (ex-Candiria, Hope Kills Fear).

May 7th – The Rave/Eagles Club – Milwaukee, WI (Gigantour with Megadeth, In Flames, Children of Bodom, Job For A Cowboy and High On Fire)

May 9th – The Rave/Eagles Club – Milwaukee, WI (with As I Lay Dying)

For more info on Levon Sultanian, please visit www.myspace.com/levsidezero and www.myspace.com/levonsultanian.

Dead Hearts Saints bio (2008)

Dead Heart Saints bio
Bio written by Rei Nishimoto

Creating music from the soul and the gut is what most musicians strive for. Sometimes returning to the basics is where the inspiration lies. Dead Heart Saints is a band that fuses powerful rock melodies with driving punk rhythms, without losing any of the edge.

Drawing from a variety of musical influences, ranging from Led Zeppelin to Soundgarden to Radiohead, gives an idea of where the inspiration comes from. Songs like ‘When You Fall’ and ‘In The Light’ represent solid tunes filled with melody and a guitar driven sound, while ‘All I Said’ and ‘Saints of Nowhere’ are a guitar driven tune full of groove. Plus frontman Mark MacIntosh (aka Mac)’s lyrics touch upon a wide variety of subjects, from deep personal experiences to religious issues. But with his distinctive vocal style wrapped around the music, there is something special about to happen here. Some of their deepest, darkest music has yet to be written.

Inspired by bassist Marcelo D. Rapp (aka Cello D9), he began creating his own music after moving in a different direction than what he was doing with veteran metal band Soulfly. Finding his role within the band limiting, he eventually parted ways. Understanding how difficult it is to succeed in the music business, he felt the need to move forward and face this head on.

He was briefly in Abloom with former Soulfly bandmates, guitarist Mikey Doling (Snot, Invitro) and drummer Roy Mayorga (Stone Sour); along with vocalist Jasan Radford and guitarist Levon Sultanian (Onesidezero). They recorded 3 demos produced by Shavo Odajian (System of a Down), which became highly acclaimed by the music media. But internal conflicts prematurely ended the band, landing Cello to start over from scratch.

In January 2007, former bandmate and friend Jasan introduced Cello to MacIntosh and guitarist Jason Berkman (aka JB). They were also looking to start a new band following the end of their band, Dempsey. The three began writing music and discovered that there was chemistry between them. They later added drummer Trevor Statfford (aka T.Rex), formerly of Shuvel (Interscope Records) and played their debut show at the Malibu Inn in Malibu, CA, impressing the local viewers with their charismatic live performance.

Dead Heart Saints is current playing in all California regions and will be playing abroad soon. For all the latest updates, please visit http://www.myspace.com/deadheartsaints.

Enjoy the world of Dead Heart Saints and experience this phenomenon for yourself….

AGONY, Bio – 2008

The spirit of Latin American metal is felt across the globe, and each area has spawned its own identity within an already groundbreaking subgenre. But after two decades of existence, AGONY is ready to keep their death-thrash brand of metal assault alive.

AGONY burst out of the Columbian metal scene in 1992, when then-college students, Alfonzo Pinzon (drums), Andres Jaramillo (lead guitar), and Ernesto Robayo (rhythm guitar) started playing together. They later added Hector Lozano (bass) and Ernesto Velasco (vocals) to round out the original lineup.

They released a demo tape in 1994, with all of the songs controversially written in English. The response to their demo, along with their energetic live shows helped attract a solid fan base. They later landed support slots for international acts such as Testament (USA) and A.N.I.M.A.L. (Argentina), as well as headlining the Rock Al Parque festival numerous times.

One of their shows was turned into a live album, Live All The Time. This release became one of the first live recordings released by a Columbian metal act. This release also featured new members, vocalist Cesar Botero (ex-Sangre Picha) and guitarist Carlos ‘Belo’ Marin (ex-Kilcrops).

AGONY reached a milestone within the Latin metal scene through the release of Millenium in 1996. Fusing Latin percussion sounds and powerful death/thrash sounds, this release became an instant classic amongst the South American underground scene. New bassist Carlos Reyes helped the band take their sound to new heights and placed AGONY within the forefront of the Colombian metal scene.

In 1999, AGONY made a bold move and relocated to Los Angeles to record Reborn (Sum Records). Shortly after their move, Reyes left the band and Marin to follow shortly after. AGONY had utilized the bass services of Tony Campos (Static X) and Louiche Mayorga (Suicidal Tendencies, Horny Toad) for live and recording purposes.

Botero left AGONY in 2001 before the release of Reborn to return to Bogota, Columbia. He is currently in Decode, with the former members of Pestilencia.

In 2002, AGONY headlined the Rock Al Parque festival, with vocalist Jeez (ex-Crux) and Tony Campos.

Unable to find a permanent vocalist, Pinzon and Jaramillo both started a new project called Dia De Los Muertos. This new project consisted of mutual friends playing uncompromised metal with a unique Latin flavor. They were invited to headline the 2006 Rock Al Parque festival, with Body Count bassist Vincent Price and Ruin vocalist Nick Reyes. The group surprised the crowd with a few AGONY songs within its setlist.

In 2006, the 10th Anniversary edition of Millenium was released, with a completely remaster and an enhanced CD with video clips from their Rock Al Parque Festival performances.

Since then, the classic Millenium-era AGONY lineup has reformed and is working on new music. With each member bringing in their experiences back into the band, AGONY is unleashing two decades worth of metallic brutality onto the world.

As Blood Runs Black – Mediaskare, 2007 - Bio

Within the glitter and glamour that makes up much of Los Angeles, an underground scene has taken on a life of its own and became an immediate counter reaction to its immediate surroundings. This is where As Blood Runs Black arose from to represent Southern California death metal.

As Blood Runs Black began in Summer 2005, when a group of youths started a band to write the most extreme music they could create. They settled on the band name As Blood Runs Black, because according to vocalist Chris Blair, “Everyone is created equal. All people bleed the same.”

Coming from various areas across Los Angeles, the band finally began playing local shows with the line up of Chris, guitarists Ernie Flores and Sal Roldan and bassist Nick Stewart.

Allegiance was recorded and produced by Zac Ohrin (All Shall Perish, Animosity) in Oakland, CA. With the watchful eye of Ohrin, As Blood Runs Black has captured the intensity of its live sound, without losing any of the technical aspects.

Taking the aggression and the technical aspects of death metal, the bottom heaviness of roots hardcore and metalcore, and adding in their love of the craziness of At The Gates-style death metal, As Blood Runs Black began planting the seeds of creating a new generation of underground metal.

“Influences come from a riff or a beat, and whether we could relate to it,” said Sal. “There is no set way we work. It’s a feeling that we work around.”

It was one of the band’s early shows where the band found itself and what made things work. “It was at Smart City Grind (in Azusa, CA) with A Dying Dream,” said Chris, about the show. “The show was awesome. Everything just clicked. The kids were reacting and really into it. It was nuts,” added Nick.

Live is where As Blood Runs Black has proven itself. They have already taken part on such tours as the Summer Slaughter Tour 2006 with Decapitated, the BrutaliTour with Animosity and Beneath the Massacre, and tours with Napalm Death and Walls of Jericho. Their workhorse mentality has shined through when talking about the band’s hard work ethics. Plus they have attracted fans through their non stop touring, and especially playing on some of the tours they have participated on.

“The Brutalitour show in Wisconsin was one of the most intense shows we played!,” said Nick. “There were kids pitting everywhere. Kids were jumping off the speakers. It was out of control!”

Despite touring non stop, the band has appreciated the support from long time fans. They have taken the time to show their appreciation for the support on every tour stop. The band also is in contact with fans through their Myspace page, which they operate themselves.

They are currently working on songs for the new album. Rough versions of songs are posted at www.myspace.com/asbloodrunsblack. Roldan says about the new material, “We’re not sure which way the musical direction may go. But so far, the music flows a lot better. Some of it is more melodic. There are songs for the hardcore kids, and songs for the death metal kids. It’s everything we know and can play.”

Mourning Magdalene, Bio - 2007

Finding inner peace through darkness is a journey that every individual has sought out throughout time. But very few have experienced a musical journey that Mourning Magdalene has ventured upon.

Mourning Magdalene is the musical vision of Dee Jay Nelson, a Chicago based musician who began creating songs that documents his life over the past decade.

Most recently, he played in Spyder Baby (Blind Illusion Records), as a recording and touring guitarist, as well as earning song writing credits on the track, ‘Let Us Prey.’ Despite gaining invaluable experience within his brief time in the band, Nelson quit Spyder Baby to focus his energy entirely onto Mourning Magdalene.

His debut EP, Six Songs of Self Loathing, takes listeners through a wild ride through his inner darkness. Musically, Mourning Magdalene steers like a wild ride through a funeral, wrestling with his insanity along the way. The CD opener ‘Bite’ bursts with walls of explosive guitar riffing and shouting metallic vocals slithering along for the ride. The slower tunes, like ‘Sunday’s Best,’ explore the darker sides of the band, fusing melodies with his cryptic overtones.

“The darkness that guides my writing comes from an overwhelming lack of self worth accompanied by an eternal broken heart. I find it very difficult to get over even the slightest betrayal,” said Nelson, about his songwriting inspiration.

Nelson began studying music under George Bellas (Shrapnel Records), learning guitar and music theory under him at age (?). He graduated in 1998 from DePaul University’s School of Music in Chicago. Some of his post-graduate ensemble and solo pieces was performed at universities around the Midwest, including Northwestern University, Harper College and Skokie Liberal Arts Center.

His other credits include writing and performing music for such people as actress/icon Pamela Anderson’s Barb Wire pinball game and the television version of the movie (Gryphon Designs, Ltd); and the Oakland Raiders’ theme song ‘The Autumn Wind’ for HR Clicks, Inc. His music was also heard at a Chicago appearance by Howard Stern Show producer Gary Dell’Abate (aka Baba-Booey).

Mourning Magdalene is currently assembling a touring lineup to begin playing shows across the Midwest. Six Songs of Self Loathing is currently available through ITunes.